Dr Mark Betz
Reader in Film Studies
Tel +44 (0)20 7848 1490
Film Studies Department
King's College London
561 Norfolk Building
Research Interests and PhD supervision
BA (1986) and MA (1994) in English Literature, University of Manitoba (Canada)
MA (1994) and PhD (1999) in Film Studies, University of Rochester (USA)
Previously Film Programmer for the George Eastman House (Rochester, NY, 1995-98) and Assistant Professor in Film/Media Studies at the University of Alberta (Canada, 1999-2001)
Visiting Professorship, Jawaharlal Nehru University, Delhi, India (2011)
postwar European cinema
non-Western political and art cinemas
the history of film studies
Mark Betz has supervised PhD theses on several topics, and welcomes enquiries concerning projects in any of his research areas.
For more details, please see Mark's full research profile.
“Beyond Europe: On Parametric Transcendence,” in Global Art Cinema: New Theories and Histories, ed. Rosalind Galt and Karl Schoonover (Oxford University Press, 2010), 31-48, ed. Rosalind Galt and Karl Schoonover (Oxford University Press, 2010), 31-48
Beyond the Subtitle: Remapping Art Cinema (University of Minnesota Press, 2009) (350 pp.)
“Little Books,” in Inventing Film Studies , ed. Lee Grieveson and Haidee Wasson (Duke University Press, 2008), 319-349 , ed. Lee Grieveson and Haidee Wasson (Duke University Press, 2008), 319-349
“The Cinema of Tsai Ming-liang: A Modernist Genealogy,” in Reading Chinese Transnationalisms: Society, Literature, Film , ed. Maria N. Ng and Philip Holden (University of Hong Kong Press, 2006), 161-172 , ed. Maria N. Ng and Philip Holden (University of Hong Kong Press, 2006), 161-172
“Art, Exploitation, Underground,” in Defining Cult Movies: The Cultural Politics of Oppositional Taste, ed. Mark Jancovich et al. (University of Manchester Press, 2003), 202-222, ed. Mark Jancovich et al. (University of Manchester Press, 2003), 202-222
For a complete list of publications, please see Mark's full research profile.
Expertise and Public Engagement
At King’s Mark has taught undergraduate courses on the history of postwar cinema, Asian popular cinemas, world cinema, film and nationalism, Third cinema, and film theory and historiography, as well as the following postgraduate courses: Art Cinema; Exploitation Cinema; History of Film Exhibition and the Archive; The Director’s Cinema.