Dr Chloë Reddaway
Visiting Research Fellow
Address: Department of Theology & Religious Studies
King’s College London
Virginia Woolf Building
LONDON, WC2B 6LE
Chloë Reddaway is Howard and Roberta Ahmanson Fellow in Art and Religion at the National Gallery, London. Her work focuses on visual theology and Christian art, and she is responsible at the National Gallery for teaching the MA in Christianity and the Arts
in collaboration with KCL. Chloë has taught for this course for KCL since its second year, and is a Visiting Research Fellow at the centre for Arts and the Sacred at King’s (ASK).
After reading Philosophy and Theology at Trinity College, Oxford, Chloë worked in the arts sector for five years and took a post-graduate diploma in Cultural Management at City University. In 2009, she moved to KCL for an AHRC-funded doctoral thesis on the theology of Florentine fresco cycles, and was later Research Assistant to Professor Ben Quash. From 2013-14 Chloë was a Research Associate in the Divinity Faculty, Cambridge (Peterhouse), where she supported the Inter-faith Programme.
Chloë teaches for Westcott House
, the Southern Theological Education and Training Scheme
, and Westminster College, Cambridge. A monograph based on her doctoral research is in preparation with Brepols and she is co-editing a volume on religion and visual culture in London with Professor Ben Quash and Dr Aaron Rosen of ASK. She is a regular contributor to Art and Christianity Enquiry, an inaugural Associate of the Westminster Abbey Institute, and a member of the Society for the Arts in Religious and Theological Studies, the Society for the Study of Theology, and Art and Christianity Enquiry.
Chloë works on visual theology in the field of Theology and the Arts/ Christianity and the Arts. She is primarily interested in how images can facilitate a relationship between the viewer and God, with a particular focus on the ‘recovery’ of historical Christian images for contemporary theology and modern viewers.
If you would like to receive the Arts and the Sacred at King’s e-bulletin please contact Chloë on email@example.com.
- Transformations in Person and Paint: Visual Theology in 14th and 15th century Florentine Frescoes (Brepols) 2015.
Articles and Reviews
- ‘Covenants and Connections: the Sassetti Chapel, Santa Trinita’ in The Bible and the Arts, Stephen Prickett, ed. (Edinburgh: EUP) 2014.
- ‘Reading Hermeneutic Space: Pictorial and Spiritual Transformation in the Brancacci Chapel’ in James Romaine and Linda Stratford (eds), Methodological Studies of Christianity in the History of Art (Cascade: Oregon) 2014.
- ‘Letter from Pannonhalma’ in Art and Christianity Enquiry 80, 2014.
- ‘Cross and Creation in Christian Liturgy and Art’, in Art and Christianity Enquiry. 78, 2014. (Book review.)
- ‘Michael Landy: Saints Alive’, in Art and Christianity Enquiry 75, 2013. (Exhibition review.)
- ‘Matter of Faith’, in Art and Christianity Enquiry 68, 2011. (Conference report.)
- ‘Devotion by Design at the National Gallery’, in Art and Christianity Enquiry 67, 2011. (Exhibition review.)
- ‘Byzantium at the Royal Academy’, Art and Christianity Enquiry 57, 2009. (Exhibition review.)
- ‘Icons by Robin Cormack’, Art and Christianity Enquiry 55, 2008. (Book review.)
- The Creative Arts in Christian Ministry and Mission, Southern Theological Education and Training Scheme, (distance learning module 3C available from Jan. 2013).