Staff interests associated with the research programme and its research groups
Interests:
Period drama and the historical film; film aesthetics and adaptation; contemporary European cinema, especially Spanish; cinephilia, film theory and cultural history; women and film.
Tel:
+44 (0)20 7848 2018
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Interests:
Film and Religion, especially Christianity; Film and Philosophy; Critical theory, especially theories of spectatorship; Animal studies; European cinema
Tel:
020 7848 1385
Email:
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Interests:
Chinese and East Asian cinema and screen cultures; Screens and Public Space; Gender, Sexuality and Cinema; Documentary Film; Theorizing Screen Studies; Theories of National and Transnational Cinema
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Interests:
Film history, European cinema (especially French); film stardom; crime cinema and film noir; women's cinema; feminist film theory.
Tel:
+44 (0)20 7848 1038
Email:
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Interests:
East Asian Cinema; the Global Film Industry; Classical and Contemporary Film Theories and Philosophy of Film
Tel:
020 7848 1373
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Interests:
British cinema and popular culture before 1970, silent cinema, film adaptation and cross media connections, musicals, film archiving and representations of the 1914-18 war.
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Interests:
Post-war European cinema (especially art cinema); Third and World cinemas; nationalism and national cinemas; exploitation cinema; film theory and historiography; the history of film studies; the archive.
Tel:
020 7848 1490
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Interests:
- history and geography of film and visual culture in the United States
- cinema and the city (especially Los Angeles)
- Italian neorealism
- the road moviecinema and radical politics (especially circa 1968)
- critical theory
Tel:
+44 (0)20 7848 2024
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Interests:
Avant-garde and experimental film; special effects; aesthetic theory and philosophy; film cultures.
Tel:
+44 (0)20 7848 1681
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Interests:
Entertainment & representation; film music; African-American music; serial killers in film.
Tel:
020 7848 1158
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Interests:
Film theory and philosophy; ethics and film, especially documentary; European cinema (especially French); modern critical theory, especially feminist theory, queer theory, and psychoanalysis.
Tel:
+44 (0)20 7848 2441
Email:
Website:
Interests:
The ‘classical’ cinemas of Hollywood and France; The history of film spectacle (especially of the musical); The representation of history on film; The relationship between practices of close interpretative analysis, film history and classic film theory; Performance