Currently, students study a choice of optional modules. King's reviews its options on a regular basis, in order to continue to offer innovative and exciting programmes and this list is therefore subject to change. Please check here for updates, or contact the School/Department for further advice. Throughout the three-years of the course, there is also the opportunity for students to take modules at the Royal Academy of Music as well as a certain number of modules in other Departments and thus profit from the excellent academic resources offered at King's.
YEAR 1
You take 120 credits of optional modules from the list.
YEAR 1 CORE
There are no core modules.
YEAR 1 OPTIONS
Musical Performance
Musical Analysis
Techniques of Composition (harmony & counterpoint)
Issues & Topics in Music History
Music and Globalisation since 1900
Aural Training
Writing About Music
YEAR 2
You take 120 credits of optional modules from the list.
YEAR 2 CORE
There are no core modules.
YEAR 2 OPTIONS
Musical Performance
Musical Analysis
Techniques of Composition (Fugue & 19th-century Lieder)
Free Composition
History of Music modules- in any one academic session, several of the following will be offered:
Introduction to Medieval Music I & II
Western Music & Race
Keyboard Music from JS Bach to Beethoven
Wagner
The Symphony from Berlioz to Mahler
Narrative & Lyricism in 19th-century Song
Musical Modernism since 1945
Music & Worship in England 1470-1605
Performance Practice
Early Renaissance Music, 1420-1520
The Jazz Tradition: Fact or Fiction?
Italian Opera in the 19th Century
YEAR 3
You can take 120 credits from the modules list below as well as from second year modules not already taken (see list in Year 2).
YEAR 3 CORE
There are no core modules.
YEAR 3 OPTIONS
Advanced Performance Studies (admission by audition)
Musical Performance III
Techniques of Composition III
Advanced Free Composition (admission by portfolio)
Dissertation
History of music modules- in any one academic session, several of the following will be on offer:
Sacred Continental Polyphony between Josquin & Monteverdi
Music & Society in France 1789-1870
Mozart in Vienna
Performance Practice on Record
The Beethoven Myth
Opera and Reason
Origins of Twentieth Century Music
Gender and Sexuality in Indian Music
Introduction to 20th-century Opera
The Philosophy & Psychology of Musical Perception
Musical Quality & Musical Taste
The Broadway Musical from Showboat to West Side Story