Current graduate students

Kim Ashton (Cambridge; Brunel)
Composer
Supervisor: Silvina Milstein

Rupert Bawden (Cambridge)
Composer
Supervisor: Rob Keeley
 
Clare Beesley (Birmingham Conservatoire; Royal Conservatory of The Hague)
Flute-playing styles in England c.1750-1830
Supervisor: Michael Fend

Luke Berryman (Oxford; Boston)
Liszt's Late Style, Wagner's Music Dramas and the Lateness of Tonality
Supervisor: John Deathridge

Abdullah Inal Bilsel (Eastern Mediterranean; Royal Holloway)
Composer
Supervisor: Rob Keeley
 
Christopher Birch (Manchester)
Composer
Supervisor: Rob Keeley
 
Amy Blier-Carruthers (King's College London)
Sir Charles Mackerras: Live Performance – Studio Recording
Supervisor: Daniel Leech-Wilkinson
 
Edward Breen (Trinity College of Music; Goldsmiths)
The performance practice of David Munrow and the Early Music Consort of London
Supervisor: Daniel Leech-Wilkinson
 
Marc Brooks (Sheffield; Huddersfield; King's College London)
Staging the Modern: Reappraising Berg’s Wozzeck and Strauss’s Arabella
Supervisor: John Deathridge
 
Ewan Campbell (King's College London; Cambridge)
Composer
Supervisor: Silvina Milstein
 
Carlo Cenciarelli (Southampton; King's College London)
J.S. Bach in the Later Twentieth Century: The Goldberg Variations in Film
Supervisor: Roger Parker 
 
YianPu Chiao (Taiwan; Tufts)
Rachmaninoff and the Russian School of Piano Performance
Supervisor: Daniel Leech-Wilkinson
 
Abigail Dolan (Hebrew University of Jerusalem)
Flute performance traditions on record
Supervisor: Daniel Leech-Wilkinson
 
Christopher Dromey (Goldsmiths; King's College London)
The Pierrot Ensembles: British Chamber Music c.1960-1980
Supervisor: Christopher Wintle

Paul Evernden (Royal College of Music; Royal Academy of Music)
Composer
Supervisor: Silvina Milstein

Noam Faingold (Tulsa; New York University)
Composer
Supervisor: Silvina Milstein
 
Rebecca Frost (Durham; King's College London)
English Church Music and the BBC
Supervisor: John Deathridge 
 
Katherine Fry (Cambridge; King's College London)
The relationship between music and language in Nietzsche
Supervisor: John Deathridge
 
Huw Hallam (Melbourne)
Supervisor: John Deathridge
 
Matias Hancke de la Fuente (Universidad Catolica Argentina; King's College London)
Composer
Supervisor: Silvina Milstein
 
Jimin Hong (Kyungwon; Royal College of Music)
Composer
Supervisor: Silvina Milstein
 
Kieran Philip Hulse (King's College London)
Tragic Narratives: The overtures of Gluck, Mozart, and Beethoven
Supervisor: John Deathridge
 
Cristoph Knopfel (City; Goldsmiths)
Critical Expressivity: Philosophical Discourse in the Compositional Techniques of Ferneyhough and Lachenmann
Supervisor: John Deathridge
 
Ayumi Kubo (City; Royal Academy of Music)
The Operas of Etienne de Jouy
Supervisor: Michael Fend
 
Mats Küssner (University of Würzburg; University of Amsterdam; Goldsmiths, University of London)
Shaping Music in Performance
Supervisor: Daniel Leech-Wilkinson
 
Kyoung-Woo Lee (Yonsei; Royal College of Music)
Composer
Supervisor: Rob Keeley
 
Christian Mason (York)
Composer
Supervisor: George Benjamin
 
Tomas McAuley (Oxford; King's College London)
The Birth of the Idea of Absolute Music 1787-1801
Supervisor: Michael Fend

Nicola Moro (New York University; King's College London)
Composition
Supervisor: Silvina Milstein

Edward Nesbit (Cambridge; Guildhall School of Music and Drama)
Composer
Supervisor: George Benjamin
 
Alexandra Papadopoulos (King's College London; Royal College of Music)
The concept of ‘persona’ in Mozart’s piano concertos
Supervisor: Cliff Eisen
 
Leonardo Margutti Pinto (Universidade Federal de Minas Gerais; King's College London)
Composer
Supervisor: Silvina Milstein
 
Steven Potter (Amherst; Sussex; Royal Conservatory of the Hague)
Composer
Supervisors: Silvina Milstein, George Benjamin
 
Miriam Quick (Oxford; King's College London)
Modernity on record: performing Webern
Supervisor: Daniel Leech-Wilkinson
 
Michiko Shimanuki (Goldsmiths; King's College London)
Composer
Supervisor: Silvina Milstein
 
Hugo Shirley (King's College London)
A Kingdom of Dreams and Shadows: Richard Strauss, Die Frau ohne Schatten and the collapse of Hugo von Hofmannsthal's operatic project
Supervisor: John Deathridge
 
Bruno Soeiro (Lisbon, Royal College of Music)
Composer
Supervisor: Silvina Milstein
 
Blai Soler (King's College London)
Composer
Supervisors: Silvina Milstein, George Benjamin

Amir Tafreshipour (Trinity College of Music, Guildhall School of Music and Drama)
Composer
Supervisor: Rob Keeley
 
Diane Tisdall (Exeter; Royal Welsh College of Music and Drama)
Violin teaching at the Paris Conservatoire 1800-1810: the role of pedagogy in performance
Supervisor: Michael Fend

Isobel Waller-Bridge (Edinburgh; King's College London)
Composer
Supervisor: Silvina Milstein
 
Beth Weller (Mount Holyoke; King's College London)
The Reception of Schubert's Songs in England, 1828-1883
Supervisor: Michael Fend

Flora Willson (Cambridge; King's College London)
Operatic Space and Industrialisation in Paris, 1859-1902
Supervisor: Roger Parker

Jun Zubillaga-Pow (Birmingham; King's College London)
Listening with Lacan: Psychoanalytic Perception and Musical Meaning

Supervisor: John Deathridge
 
 
 
 
 
 
 
 

Sonum Batra (King's College London)
Musicology

David Bentley (Sheffield)
Composition

Hayley Burton (King's College London)
Musicology

Tom Byrne (King's College London)
Composition

Birgit Engler (Witwatersrand)
Musicology

Fiona Gibbs (King's College London)
Musicology

Christian Goursaud (King's College London
Musicology

Stephen Hicks (Imperial College London; Royal College of Music)
Composition

Julia Hoare (Newcastle)
Musicology

Manon Hughes (Cambridge)
Musicology

ZhiYing Kok (King's College London)
Musicology

Aoife Mac Alister (University College Dublin)
Musicology

Janev Masera (King's College London)
Musicology

Laura Parker (King's College London)
Musicology

Helen Richardson (Royal Academy of Music)
Musicology

Aya Saiki (King's College London)
Musicology

David Sharpe (King's College London)
Musicology

Louise Smith (King's College London)
Musicology

Sonia Stevenson (King's College London)
Musicology

Leslie Taft (Wisconsin, La Crosse)
Musicology

Jacob Thompson (Oxford)
Composition

Francesca Vella (Florence; Conservatorio di Musica F Venezze)
Musicology

Jason Weir (King's College London)
Musicology

Phylicia Yeo (UCSI University)
Musicology

Erin Yousef (Austin, Texas)
Musicology
 

Oliver Rappoport (Escola Superior de Musica de Catalunya)
Composer
Supervisor: Rob Keeley
 
Ana Rodriguez Fontecha (Conservatorio J C Arriaga)
Composer
Supervisor: Rob Keeley