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Level 7 7AAMM001 Special Study in Historical Musicology 7AAMM007 Issues in Biography and Criticism: Mozart 7AAMM008 Theories of Modernism and the Avant-Garde 7AAMM009 Issues in Historiography and Criticism 7AAMM010 Performance, Gesture and Meaning 7AAMM013 Twenty-First-Century Bach 7AAMM014 Music and Empire 7AAMM022 Readings in the New Eighteenth Century 7AAMM034 Post-Tonal Music and Composition Studies 7AAMM035 Advanced Opera Study 7AAMM050 Special Study in Composition 7AAMM051 Introduction to Free Composition 7AAMM052 Composing for Large Ensemble or Orchestra 7AAMM056 Advanced Studies in Music Analysis and Cr 7AAMM060 Issues and Topics in Jazz

7AAMM056 Advanced Studies in Music Analysis and Criticism

Beethoven's Late Works

Tutor: Michael Fend
Teaching: one two-hour seminar per week
Value: 20 credits
Assessment: one essay of 4,000 words
 
This module is a ‘cross-over module’; it involves both an analytical and historical examination of the late works, focussing on the late piano sonatas and the last five string quartets of Beethoven. The main issues are: What do these works mean and how are these meanings constructed? The module will investigate various ways of analysing the music and the ramifications of these methods. It will also look at the historical contexts that might apply to these works such as early romantic thought, the impact of the French Revolution and its aftermath, the secularisation of religion, and the idea of absolute music. Some of the module will be devoted to Theodor W. Adorno’s interpretation of Beethoven’s music and the criticism it has received in recent years.
 
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