Past appearances
Print version2010
November
Daniel Leech-Wilkinson
Keynote paper: 'Making music with Alfred Cortot: ontology, data, analysis', Interpretationsforschung 2010 - Methoden der computergestützten Analyse im Kreuzverhör der Disziplinen, 26-28 November, Berlin
Flora Willson
'Viardot's Orpheus: Animating History in Second Empire Paris', paper at the Annual Meeting of the American Musicological Society, Indianapolis, 4-7 November 2010
Bettina Varwig
Paper at the Annual Meeting of the American Musicological Society, Indianapolis, 4-7 November 2010 (title TBC)
Keynote paper: 'Making music with Alfred Cortot: ontology, data, analysis', Interpretationsforschung 2010 - Methoden der computergestützten Analyse im Kreuzverhör der Disziplinen, 26-28 November, Berlin
Flora Willson
'Viardot's Orpheus: Animating History in Second Empire Paris', paper at the Annual Meeting of the American Musicological Society, Indianapolis, 4-7 November 2010
Bettina Varwig
Paper at the Annual Meeting of the American Musicological Society, Indianapolis, 4-7 November 2010 (title TBC)
October
Daniel Leech-Wilkinson
Keynote paper: 'Musicology and Recorded Performance: CHARM and beyond', Österreichische Gesellschaft für Musikwissenschaft: Jahrestagung 2010. „Soundrecording. Musikalische Interpretationen im Vergleich“. 15-17 October 2010, Salzburg
Flora Willson
Invited paper at the Humanities Center Ethnomusicology Seminar: Music, Sensory Ecologies and the Body at the Barker Center, Harvard University, 18 October 2010
Bettina Varwig
Invited paper at the 42. International Heinrich-Schütz-Fest Kassel, 28-31 October 2010 (title TBC)
Keynote paper: 'Musicology and Recorded Performance: CHARM and beyond', Österreichische Gesellschaft für Musikwissenschaft: Jahrestagung 2010. „Soundrecording. Musikalische Interpretationen im Vergleich“. 15-17 October 2010, Salzburg
Flora Willson
Invited paper at the Humanities Center Ethnomusicology Seminar: Music, Sensory Ecologies and the Body at the Barker Center, Harvard University, 18 October 2010
Bettina Varwig
Invited paper at the 42. International Heinrich-Schütz-Fest Kassel, 28-31 October 2010 (title TBC)
September
George Benjamin
Conducting the Royal Concertgebouw orchestra in three concerts, Amsterdam, September, in works by Scriabin, Ravel, De Vries and Murail.
Luke Berryman
Solo recital, Jacqueline du Pre Music Building, Oxford, 11 September at 5pm; programme to include works by Chopin, Haydn, Rachmaninoff, Ravel & Scarlatti; proceeds to Sir Michael Sobell Hospice.
Noam Faingold
Guest composer/lecturer, University of Tulsa School of Music, Tulsa, Oklahoma, USA, 8 September
Duet for violin and cello, performed by Circles and Lines Composer's Collective, 7 pm, 12 September, Le Poisson Rouge, 158 Bleeker Street New York City, USA
Duet for cello and double bass, performed by Juventas new music ensemble, 8 pm, 17 September, Boston Conservatory, Seully Hall, Boston, Massachusetts, USA
Duet for cello and double bass, performed by Juventas new music ensemble, 8 pm, 18 September, Cambridge Family YMCA Theater, 820 Massachusetts Ave, Cambridge, Massachusetts, USA
Roger Parker
Invited lecture at Duke University (NC), 10 September
Conducting the Royal Concertgebouw orchestra in three concerts, Amsterdam, September, in works by Scriabin, Ravel, De Vries and Murail.
Luke Berryman
Solo recital, Jacqueline du Pre Music Building, Oxford, 11 September at 5pm; programme to include works by Chopin, Haydn, Rachmaninoff, Ravel & Scarlatti; proceeds to Sir Michael Sobell Hospice.
Noam Faingold
Guest composer/lecturer, University of Tulsa School of Music, Tulsa, Oklahoma, USA, 8 September
Duet for violin and cello, performed by Circles and Lines Composer's Collective, 7 pm, 12 September, Le Poisson Rouge, 158 Bleeker Street New York City, USA
Duet for cello and double bass, performed by Juventas new music ensemble, 8 pm, 17 September, Boston Conservatory, Seully Hall, Boston, Massachusetts, USA
Duet for cello and double bass, performed by Juventas new music ensemble, 8 pm, 18 September, Cambridge Family YMCA Theater, 820 Massachusetts Ave, Cambridge, Massachusetts, USA
Roger Parker
Invited lecture at Duke University (NC), 10 September
August
George Benjamin
London premiere of Duet for piano and orchestra, 2 August, BBC Proms, Pierre-Laurent Aimard, BBC Symphony Orchestra, Jonathan Nott.
Noam Faingold
Piano Trio performance at the Aspen Music Festival in Aspen Colorado, late August
Christian Mason
Assisting Harrison Birtwistle, in residence at Dartington International Summer School, on the creation of a new music theatre piece, along with Alison Chitty, Stephen Plaice and Stephen Langridge, 7-14 August 2010
David Trendell
Lecturing and performing at the William Byrd Festival, Portland, Oregon in mid/late August.
London premiere of Duet for piano and orchestra, 2 August, BBC Proms, Pierre-Laurent Aimard, BBC Symphony Orchestra, Jonathan Nott.
Noam Faingold
Piano Trio performance at the Aspen Music Festival in Aspen Colorado, late August
Christian Mason
Assisting Harrison Birtwistle, in residence at Dartington International Summer School, on the creation of a new music theatre piece, along with Alison Chitty, Stephen Plaice and Stephen Langridge, 7-14 August 2010
David Trendell
Lecturing and performing at the William Byrd Festival, Portland, Oregon in mid/late August.
July
Roger Parker
Paper at the conference "Worlds to conquer: the travelling virtuoso in the long 19th century", Bristol University 5-7 July
Residential seminar on editing Italian opera at the Vadstena-Akademien, Sweden, 27-28 July
Steve Potter
19 July 2010 – Quartet More & More (2010), International Summer Course for New Music, Darmstadt, Germany, Arditti String Quartet
Hugo Shirley
‘Der mißbrauchte Barock’ and the mythical ‘Mozart-Element’ in Richard Strauss’s operas of the 1910s, RMA Annual Conference 2010 'Boundaries', 15-17 July 2010, Institute of Musical Research, Senate House, Malet Street, London WC1E 7HU
David Trendell
'Rogier, Gombert and Monteverdi', Med Ren 2010, 7 July, Royal Holloway University of London
Bettina Varwig
'Echoes and Metaphors in Heinrich Schütz's Dafne', paper at the 14th Biennial International Conference on Baroque Music, Queen's University, Belfast, 1 July 2010
Paper at the conference "Worlds to conquer: the travelling virtuoso in the long 19th century", Bristol University 5-7 July
Residential seminar on editing Italian opera at the Vadstena-Akademien, Sweden, 27-28 July
Steve Potter
19 July 2010 – Quartet More & More (2010), International Summer Course for New Music, Darmstadt, Germany, Arditti String Quartet
Hugo Shirley
‘Der mißbrauchte Barock’ and the mythical ‘Mozart-Element’ in Richard Strauss’s operas of the 1910s, RMA Annual Conference 2010 'Boundaries', 15-17 July 2010, Institute of Musical Research, Senate House, Malet Street, London WC1E 7HU
David Trendell
'Rogier, Gombert and Monteverdi', Med Ren 2010, 7 July, Royal Holloway University of London
Bettina Varwig
'Echoes and Metaphors in Heinrich Schütz's Dafne', paper at the 14th Biennial International Conference on Baroque Music, Queen's University, Belfast, 1 July 2010
June
George Benjamin
Music director at the 2010 Ojai Music Festival, California, in June, conducting works by Schoenberg, Stravinsky, Messiaen, Boulez, Ligeti, Knussen and himself (including the West Coast premiere of Into the Little Hill) with the Ensemble Modern.
Guest composer at the 2010 Aldeburgh Festival, where works performed include Into the Little Hill, At First Light, Shadowlines, Upon Silence, Piano Figures, Dance Figures and Palimpsests.
London Sinfonietta/Opera Group production of Into the Little Hill touring in June/July to Aldeburgh, London (Royal Opera House), Buxton, and Latitude festival (as well as the Liceu, Barcelona, in December).
Luke Berryman
Performing Rachmaninoff's Concerto no. 3 in D Minor, op. 30, 4 June at 1pm, St Davids Room, King's College London, with Rob Keeley (piano reduction)
Christian Mason
Looking for the Land that is Nowhere (for Theremin and String Octet), 29 June 2010, 6pm, Royal Festival Hall, "Music of Today" series, performed by members of the Philharmonia Orchestra and Lydia Kavina (theremin)
Steve Potter
10 June 2010 – Paradigms for voice and piano, Ojai Music Festival, Ojai, California, Hilary Summers, contralto, Hermann Kretzschmar, piano
Roger Parker
Lecture at Gresham College (Museum of London) at 1:00pm on 30 June. On Beethoven's Op. 95 (with the Badke Quartet)
Hugo Shirley
'Ein echter heutiger Mozart': Die Frau ohne Schatten and Hugo von Hofmannsthal's Construction of Austrian Cultural Identity, 7th International Postgraduate Conference on Current Research in Austrian Literature, 3-4 June 2010, Room ST 274/5, Senate House.
Flora Willson
Pre-performance talk on Verdi's Macbeth at Glyndebourne Festival Opera, 20 June 2010
Jun Zubillaga-Pow
"Censoring Queer Sounds in Singapore Queer Cinema", Sounds Queer Conference, 4 June 2010, King's College London
"The Dialectics of Capitalist Reclamation, Or Traditional Malay Music at the Fin de Siecle Singapore", Trade and Finance in the Malay World: Historical and Cultural Perspective, 18 June 2010, University of Frankfurt, Germany
Music director at the 2010 Ojai Music Festival, California, in June, conducting works by Schoenberg, Stravinsky, Messiaen, Boulez, Ligeti, Knussen and himself (including the West Coast premiere of Into the Little Hill) with the Ensemble Modern.
Guest composer at the 2010 Aldeburgh Festival, where works performed include Into the Little Hill, At First Light, Shadowlines, Upon Silence, Piano Figures, Dance Figures and Palimpsests.
London Sinfonietta/Opera Group production of Into the Little Hill touring in June/July to Aldeburgh, London (Royal Opera House), Buxton, and Latitude festival (as well as the Liceu, Barcelona, in December).
Luke Berryman
Performing Rachmaninoff's Concerto no. 3 in D Minor, op. 30, 4 June at 1pm, St Davids Room, King's College London, with Rob Keeley (piano reduction)
Christian Mason
Looking for the Land that is Nowhere (for Theremin and String Octet), 29 June 2010, 6pm, Royal Festival Hall, "Music of Today" series, performed by members of the Philharmonia Orchestra and Lydia Kavina (theremin)
Steve Potter
10 June 2010 – Paradigms for voice and piano, Ojai Music Festival, Ojai, California, Hilary Summers, contralto, Hermann Kretzschmar, piano
Roger Parker
Lecture at Gresham College (Museum of London) at 1:00pm on 30 June. On Beethoven's Op. 95 (with the Badke Quartet)
Hugo Shirley
'Ein echter heutiger Mozart': Die Frau ohne Schatten and Hugo von Hofmannsthal's Construction of Austrian Cultural Identity, 7th International Postgraduate Conference on Current Research in Austrian Literature, 3-4 June 2010, Room ST 274/5, Senate House.
Flora Willson
Pre-performance talk on Verdi's Macbeth at Glyndebourne Festival Opera, 20 June 2010
Jun Zubillaga-Pow
"Censoring Queer Sounds in Singapore Queer Cinema", Sounds Queer Conference, 4 June 2010, King's College London
"The Dialectics of Capitalist Reclamation, Or Traditional Malay Music at the Fin de Siecle Singapore", Trade and Finance in the Malay World: Historical and Cultural Perspective, 18 June 2010, University of Frankfurt, Germany
May
Noam Faingold
Tango Variations for double bass duet, 1 May, 7pm,
performance by Matt Weber and Matt Rosenthal at a double bass recital, SUNY Purchase music building, 735 Andersonville Road, Purchase, New York, USA
Bonaparte Born to Party for mixed quintet, 2 May, 7pm, performance by Transit new music ensemble featuring Chris Otto of the JACK quartet at Le Poisson Rouge, 158 Bleecker street, Manhattan, New York, USA
Rob Keeley
first performance of Oboe Concerto, Sunday 2 May, Nicholls Hall, Music Institute, Northwestern University, Illinois, Andy Nogal, oboe, with dal niente ensemble, conductor Michael Lewanski
Magnificat and Nunc Dimittis, Tuesday 11 May, Purcell Room, Southbank Centre. Choir of King’s College London conducted by David Trendell, part of the Festival of Contemporary Church Music
50th birthday concert, Thursday 13 May, 6.30pm, Schott Recital Room, 48 Great Marlborough Street. Rob Keeley plays his own Etudes de cloches, with music by Geoffrey Poole, Reynaldo Hahn and Andre Jolivet
Christian Mason
Noctilucence to be broadcast on BBC Radio 3, performed by Britten Sinfonia, Tuesday 4 May at 1pm.
Roger Parker
Lecture at Gresham College (Museum of London) at 1:00pm on 20 May. On Mozart's "Hoffmeister" Quartet (with the Badke Quartet)
Steve Potter
31 May 2010 – Paradigms for voice and piano (2009), Alte Oper Frankfurt, Hilary Summers, contralto, Hermann Kretzschmar, piano
Tango Variations for double bass duet, 1 May, 7pm,
performance by Matt Weber and Matt Rosenthal at a double bass recital, SUNY Purchase music building, 735 Andersonville Road, Purchase, New York, USA
Bonaparte Born to Party for mixed quintet, 2 May, 7pm, performance by Transit new music ensemble featuring Chris Otto of the JACK quartet at Le Poisson Rouge, 158 Bleecker street, Manhattan, New York, USA
Rob Keeley
first performance of Oboe Concerto, Sunday 2 May, Nicholls Hall, Music Institute, Northwestern University, Illinois, Andy Nogal, oboe, with dal niente ensemble, conductor Michael Lewanski
Magnificat and Nunc Dimittis, Tuesday 11 May, Purcell Room, Southbank Centre. Choir of King’s College London conducted by David Trendell, part of the Festival of Contemporary Church Music
50th birthday concert, Thursday 13 May, 6.30pm, Schott Recital Room, 48 Great Marlborough Street. Rob Keeley plays his own Etudes de cloches, with music by Geoffrey Poole, Reynaldo Hahn and Andre Jolivet
Christian Mason
Noctilucence to be broadcast on BBC Radio 3, performed by Britten Sinfonia, Tuesday 4 May at 1pm.
Roger Parker
Lecture at Gresham College (Museum of London) at 1:00pm on 20 May. On Mozart's "Hoffmeister" Quartet (with the Badke Quartet)
Steve Potter
31 May 2010 – Paradigms for voice and piano (2009), Alte Oper Frankfurt, Hilary Summers, contralto, Hermann Kretzschmar, piano
April
Matthew Head
Presenting a concert titled Lord Byron's Pilgrimage exploring musical settings of Byron's 'Hebrew Melodies' by Isaac Nathan, Carl Lowe, Felix Mendelssohn, Fanny Hensel, Robert Schumann and Hugo Wolf. Anna Pangalou (Athens), mezzo-soprano; Stefano Cavallerin (Perugia), piano.
24 April, 7.30pm, Bibliotheca Theresiana, Favoritenstrasse 15, 1040 Vienna
'Europe's Living Muses: Women, Music and Modernity in Charles Burney's History and Tours', research paper at the Department of Music, Manchester University, 29 April, 4.15pm.
Rob Keeley
First performance of Relics of Echoings for guitar and piano, Saturday 24 April, 2.30 pm, Hamilton Hall, Newman Performing Arts Center, 2344 E Iliff Avenue, Denver CO 80208, Heidi Brende Leathwood, piano, and Jonathan Leathwood, guitar
Concert
Heidi Brende Leathwood, piano, Rob Keeley, piano, Christina Jennings, flute, Jonathan Leathwood, guitar
Two Ways of looking at a spider for 10-string guitar
Bells of Halkis, piano
Bondi Breaks, piano duet
Three Bagatelas das ondas, flute and guitar
Tuesday 27 April, 12.00 pm, Hamilton Hall, Newman Performing Arts Center, 2344 E Iliff Avenue, Denver CO 80208
Presenting a concert titled Lord Byron's Pilgrimage exploring musical settings of Byron's 'Hebrew Melodies' by Isaac Nathan, Carl Lowe, Felix Mendelssohn, Fanny Hensel, Robert Schumann and Hugo Wolf. Anna Pangalou (Athens), mezzo-soprano; Stefano Cavallerin (Perugia), piano.
24 April, 7.30pm, Bibliotheca Theresiana, Favoritenstrasse 15, 1040 Vienna
'Europe's Living Muses: Women, Music and Modernity in Charles Burney's History and Tours', research paper at the Department of Music, Manchester University, 29 April, 4.15pm.
Rob Keeley
First performance of Relics of Echoings for guitar and piano, Saturday 24 April, 2.30 pm, Hamilton Hall, Newman Performing Arts Center, 2344 E Iliff Avenue, Denver CO 80208, Heidi Brende Leathwood, piano, and Jonathan Leathwood, guitar
Concert
Heidi Brende Leathwood, piano, Rob Keeley, piano, Christina Jennings, flute, Jonathan Leathwood, guitar
Two Ways of looking at a spider for 10-string guitar
Bells of Halkis, piano
Bondi Breaks, piano duet
Three Bagatelas das ondas, flute and guitar
Tuesday 27 April, 12.00 pm, Hamilton Hall, Newman Performing Arts Center, 2344 E Iliff Avenue, Denver CO 80208