Dr Harvey G Cohen
Senior Lecturer in Cultural and Creative Industries
Tel +44 (0)20 7848 1358
Culture, Media and Creative Industries
King’s College London
2C Chesham Building
Research interests and PhD supervision
Harvey G. Cohen earned his PhD in U.S. and cultural history from the University of Maryland (2002). He taught there for three years, using music and film to trace significant themes in American culture and history from the colonial era to now – which he still does as Senior Lecturer at King’s College London, where he arrived in 2006. Cohen mostly writes books and teaches about the history and business of the music and film industries. His book “Duke Ellington’s America” (2010) was named one of the best books of the year by the Washington Post, won a Choice Magazine Outstanding Academic Title Award and received significant coverage in the New Yorker, BBC, NPR and many other media outlets: http://press.uchicago.edu/ucp/books/book/chicago/D/bo8169884.html
His book, “Who’s In The Money? The Great Depression Musicals and Hollywood’s New Deal” will be released in December 2017: https://edinburghuniversitypress.com/book-who-039-s-in-the-money.html
His third book, for which he won a year-long Leverhulme research grant, examines American music, business and Christianity in the mid-20th-century.
- Cultural and political history
- History and business of popular music and film in the US and UK
- American and African American history and politics
- Museums, publishing industry, New York City
Harvey G. Cohen welcomes applications for PhD topics related to any of his research interests. Before joining King's College London in 2006, he served as a Postdoctoral Fellow / Resident Scholar at the John W. Kluge Center, Library of Congress in Washington D.C., where he completed the research for his book Duke Ellington's America (2010). Cohen's forthcoming book, "Who's In The Money? The Great Depression Musicals and Hollywood's New Deal" (2017), will outline the history of the Warner Bros. movie musicals during 1933 and their political, historical and cultural connections on- and offscreen with the newly elected U.S. President Franklin D. Roosevelt and his New Deal programs that sought to alleviate the economic deprivation caused by the Great Depression. Portions of the book were being previewed at five conferences in Europe and America, as well as in live events at the British Film Institute and the British Library, during 2014-2015.
For more details, please see his full research profile.
- Who’s In The Money? The Great Depression Musicals and Hollywood’s New Deal (Edinburgh University Press, 2017)
- “Chaplin’s America, the Essanay and Mutual Years: The Making of an Artist in the Progressive Era, 1915-1917,” Quarterly Review of Film and Video (July 2016)
- “The Struggle to Fashion the NRA Code: The Triumph of Studio Power in 1933 Hollywood,” Journal of American Studies (2015).
- Duke Ellington's America (University of Chicago Press, 2010)
- "In His Own Words: Ellington's Ode to Black History", Washington Post (20 February 2005)
- “Music In The History Classroom”, Perspectives (American Historical Association) (Fall 2005).
For a complete list of publications, please see Harvey's full research profile.
Expertise and Public Engagement
At King’s College London, Harvey G. Cohen teaches about the history and business of popular music and film in the US and UK; the history of museums and the publishing industry; the business issues facing cultural industries; and American and African American history. In previous teaching positions in the United States, he taught the Harlem Renaissance and the cultural history of New York City, as well as survey courses on U.S. and African American history.
In Cohen's newest MA course offering at King's College London, "Readings In The Music Business," he has welcomed several surprise guests from the music business to attend the seminars, including Rough Trade founder/head Geoff Travis, music business lawyer Nigel Parker and best-selling recording artist, musician and academic Damon Minchella.
Harvey G Cohen's work has appeared in the Washington Post, Baltimore Sun, The Independent (UK), Metro International (Sweden and Denmark), and on BBC and SkyNews radio and TV stations. In February 2014, he discussed his forthcoming book about the political significance of the Warner Bros. Great Depression movie musicals on a half-hour broadcast on the CSPAN TV network in the United States.
Cohen participated in London Jazz Festival live events four times in the last seven years. In 2015, among other media appearances, Cohen discussed the historical significance of swing music on a BBC Radio 3 Proms programme, and commented on the "Blurred Lines" song plagiarism case on the BBC World Service.