Dr Andy Fry
Tel +44 (0)20 7848 1821
Room 9A, South West Block
King's College London
Research Interests and PhD supervision
Andy Fry joined King’s in 2007, having previously taught at the University of California, San Diego and, as a visiting professor, at Berkeley. He completed his graduate studies at Oxford (D.Phil., 2004), and has also studied at the Universities of Lancaster, California (Berkeley), and Pennsylvania.
- African-American music
- Music in C20th France
- Music and race
Andy Fry's principal research areas are jazz (particularly pre-1960, race, gender, and historiography) and music in twentieth-century France. In addition, he has strong interests in musical theatre, in all its many forms. Several of these concerns come together in his book Paris Blues: African American Music in France, 1920–1960 (Chicago, 2014). His current research concerns the revival and recreation of New Orleans jazz, in the United States and around the world, at mid-century.
Andy welcomes applications for PhD topics related to any of his research interests.
Andy teaches jazz history and related topics at all levels of the curriculum at King’s. He commonly offers a first-year introductory module focusing on early jazz and swing. In the second and third years, he teaches modules on Post-war Jazz and Jazz on Film, among other topics. His graduate seminar in Jazz Studies provides a survey of this interdisciplinary field to musicologists, ethnomusicologists and other interested students. He’s also often taught Historiography and Criticism at the MMus level, and coordinated BMus dissertations.
- 'Remembrance of Jazz Past: Sidney Bechet in France’ in The Oxford Handbook of the New Cultural History of Music, ed. Jane Fulcher (New York: Oxford University Press, 2011), 207-31.
- ‘“That Gypsy in France”: Django Reinhardt’s Occupation Blouze’ in Jazz Worlds / World Jazz, ed. Philip Bohlman and Goffredo Plastino (Chicago: University of Chicago Press, 2016), 181-99.
- 'The "Caruso of Jazz" and a "Creole Benvenuto Cellini": Verdi, "Miserere ... Ah, che la morte ognora" (Leonora, Manrico), Il trovatore, Act IV', Cambridge Opera Journal 28 (2016): 183-6.
- ‘La guerre et la paix, 1914-1945' in The Cambridge Companion to French Music, ed. Simon Trezise (Cambridge: Cambridge University Press, 2015), 159-79.
- Paris Blues: African American Music and French Popular Culture, 1920-1960 (Chicago: University of Chicago Press, 2014).