In May 2018 it was announced that the new Nuclear Magnetic Resonance (NMR) Facility at King’s College London was due to open formally in September. The Wellcome Trust and British Heart Foundation had both made significant investments into new equipment for the Facility alongside King’s itself.

Director of the facility Professor Sasi Conte and Centre Manager Andrew Atkinson were looking for a novel and appropriate way to mark the occasion. Having taken part in an art-science exchange day earlier in the year with interdisciplinary artists at Central St Martins MA in Art and Science, co-organised with The Biochemical Society, Sasi decided to investigate the possibility of a collaborative interdisciplinary project to create an artwork that would celebrate the new facility.

That’s when four artists – Olga, Jill, Gareth and Julie – got involved. All had been at the art-science exchange day and were keen to see where the project could lead. The group got together several times during June and July to bounce about different ideas, and after experimenting with approaches involving sculpture, illustration, text and print, they settled on developing Olga’s fantastic idea for a lenticular etching – a print that would show a different image depending on the angle from which it is viewed. The etching would feature two different types of an image produced by the NMR Facility.

The group also wanted to create a bespoke frame to complement the work and incorporate the text that would commemorate the launch. They started to design a hand-crafted zinc frame onto which the text would be etched. The work was collaborative and frequent conversations between all six over email and in person meant that everyone could express their thoughts and input into the process. Bringing together so many perspectives – art and science from a number of different viewpoints – was challenging but always constructive.

A frenzied few weeks followed as the artists tested different images, identified the best paper to fold to create the lenticular effect and experimented with finishes for the frame. Meanwhile, they also tried several versions of one image and none of the group felt any of them were quite right. Andrew decided to run a new experiment overnight especially for the project, an NMR spectrum that demonstrated the possibilities of the equipment whilst also having specific aesthetic qualities – and that version worked perfectly.

From then on it was all systems go with etching the plate for the print, running off the final print and folding the image. The frame was cut, etched and riveted. And the whole piece was put together, ready for the launch event on Tuesday 4 September.

At the event, the print was unveiled to an audience of over one hundred scientists at the launch conference by President & Principal of King’s, Professor Ed Byrne, AC. A video onscreen showed the audience the lenticular effect and drew gasps of appreciation.

So what were the benefits of getting a group of scientists and artists working together on a project like this? At the most basic level, it provided a totally original way of commemorating the opening of a major new facility, but there was much more to it than that. It was also an example of the value of bringing together a variety of perspectives and knowledge about different aspects of the work – from the value, purposes and capabilities of the invaluable NMR spectrometers to the ins and outs of etching and printing. Combining all those points of view created a far richer outcome than working within disciplines. And in the end, the artwork was a metaphor for this, encompassing as it does two potentially different viewpoints that form a united whole.