Daniel's work combines critical frameworks in the history and theories of cinema, television, and photography, with advanced technical practice in creative and scientific computing, including applied machine learning technologies (AI). He has over a decade of experience as a technologist in the cultural and creative industries with a focus on the screen sector, including projects and collaborations with the British Film Institute, the BBC, and the British Council.

At King's Daniel is part of the Computational Humanities Research Group, the Creative AI Lab, and an affiliate of the Institute for Artificial Intelligence.

Access Daniel's website here.

Research interests and PhD supervision

• Screen Culture + Creative Computing
• Generative approaches in computational humanities
• Complex and dynamic systems in cultural domains
• Critical technical practice with a focus on machine vision and aesthetically sensitive algorithms
• Interdisciplinary design

Daniel welcomes PhD applications related to the above, ideally from applicants with interdisciplinary backgrounds and strong technical skills across the arts and sciences.

Teaching

Daniel teaches in the areas of creative AI, computational humanities, human-computer interaction and interdisciplinary design.