Jinhee Choi was educated at Seoul National University (South Korea) and completed a B.A. and M.A. in Aesthetics. She earned two PhDs—one in Philosophy and the other in Film Studies—at the University of Wisconsin-Madison (United States) and was a post doctorate/ visiting professor in East Asian Studies and Film Studies at Yale University. She previously taught at Carleton University (Canada) and the University of Kent before moving to King’s College in 2011.
Research Interests and PhD Supervision
Currently working on a monograph on girlhood, tentatively entitled Forever Girls: Girlhood and Contemporary South Korean Cinema, I approach girlhood as a sensibility, focusing on the representations of girls and their sensibilities manifest in contemporary South Korean cinema of such genres as horror, “chick flicks”, thrillers, social problem films, and costume dramas.
The dual roles of the Mother (and matriarchy) and wife, guided by as well as challenging, the framework of the Confucian ideology that posits women should aspire to the status of “wise-mother-good-wife” (賢母良妻), has been the focus of major scholarship on Korean cinema, in particular melodrama and horror of the 1950s and 60s. In contrast, masculinity has provided an adequate perspective for the discussion of the impact of the military dictatorship on the Korean national psyche of the 1980s and 90s. Girls, however, have never been at the centre of scholarship on Korean cinema. In Forever Girls, I will reorient the focus and direction of current scholarship on classical and contemporary Korean cinema, and examine the reasons behind why girls begin to embody, and have become the subject of, the modern and/or contemporary history of Korea; and help to underscore the contradictions of the contemporary social inequality and tensions existing between parent-child generations.
I am interested in supervising PhD theses on East Asian Cinema (popular and experimental); East Asian Cinema and urban space; girlhood; film theory; film industries; sensibility and sentimentality.
For more details, please see her full research profile.
Jinhee Choi has taught a wide range of modules at both the BA and MA level, including national and transnational cinemas (East Asian focus), world cinema, film theory, film analysis, film industry (the Hollywood studio system and the East Asian contemporary film industry), documentary, avant-garde, film theories and emotion, and cinema and modernism.
She has recently convened: Film History: 1980 to the Present; Cinema and Sentiment; Asian Popular Cinema; Film and Transnationalism; Ozu and his Influence; Korean Cinema; and Food for Thought: Food, Film and Philosophy.
Expertise and Public Engagement
Jinhee Choi is a member of the Society of Cinema and Media Studies. She is the editor of the Journal of Japanese and Korean Cinema (Aug 2017-) and on the editorial board for the ‘Thinking Cinema’ series at Continuum and journal New Review of Film and Television Studies. She has served as a member of the advisory board for the London Korean Film Festival hosted by Korean Culture Center, and convened a seminar as part of the Documentary Summer School of the International Locarno Film Festival.
Choi, J., 2020, (Accepted/In press) In : Asian Cinema. 31, 2 Research output: Contribution to journal - Article. DOIs: https://doi.org/https://doi. org/10.1386/ac_00020_1
Choi, J., 2019, Rediscovering Korean Cinema . Lee, S. (ed.). Ann Arbor : University of Michigan Press, p. 260-273 14 p. Research output: Chapter in Book/Report/Conference proceeding - Chapter
Choi, J., 2019, Screening Characters : Theories of Character in Film, Television, and Interactive Media. Riis, J. & Taylor, A. (eds.). Routledge, p. 251-65 15 p. (AFI Film Readers). Research output: Chapter in Book/Report/Conference proceeding - Chapter
Choi, J., 3 Jul 2018, In : Journal of Japanese and Korean Cinema . 10, 2, p. 77-78 2 p. Research output: Contribution to journal - Editorial. DOIs: https://doi.org/10.1080/17564905.2018.1520479
Choi, J., 2018, Reorienting Ozu: A Master and His Influence. Oxford Univerity Press; Oxford, p. 1-17 17 p. Research output: Chapter in Book/Report/Conference proceeding - Chapter
Choi, J., 2018, Reorienting Ozu: A Master and His Influence. Oxford Univerity Press; Oxford, p. 77-97 20 p. Research output: Chapter in Book/Report/Conference proceeding - Chapter. DOIs: https://doi.org/10.1093/oso/9780190254971.003.0006
Choi, J., 2018, Oxford Univerity Press; Oxford. 312 p. Research output: Book/Report - Anthology. DOIs: https://doi.org/10.1093/oso/9780190254971.001.0001
Berry, C. & Choi, J., 3 Jul 2017, In : Journal of Japanese and Korean Cinema . 9, 2, p. 85-89 5 p. Research output: Contribution to journal - Editorial. DOIs: https://doi.org/10.1080/17564905.2017.1368134
Choi, J., 1 Dec 2016, Routledge Handbook of East Asian Popular Culture. Iwabuchi, K., Tsai, E. & Berry, C. (eds.). Taylor and Francis, p. 178-190 12 p. Research output: Chapter in Book/Report/Conference proceeding - Chapter. DOIs: https://doi.org/10.4324/9781315643106.ch11
Choi, J., Apr 2016, Kurt Kren: Structural Films. Hamlyn, N., Payne, S. & Rees, A. L. (eds.). Intellect, Bristol, p. 263-273 10 p. Research output: Chapter in Book/Report/Conference proceeding - Chapter