Simon Tanner is a digital humanities scholar with a wide-ranging interest in cross-disciplinary thinking and collaborative approaches that reflect a fascination with interactions between memory institution collections (libraries, museum, archives, media and publishing) and the digital domain.
His Balanced Value Impact Model (BVIM) is used for culture, heritage and digital impact assessment all over the world. He created and hosts the Balanced Value Impact Model website.
Research into image use and sales in American art museums by Simon Tanner has had a significant effect on opening up collections access and OpenGLAM in the museum sector. Tanner is a strong advocate for open access, open research and the digital humanities. He is part of the founding group behind the ArtforAll campaign.
As an information professional, consultant, digitisation expert and academic, he works with major cultural institutions across the world to assist them in transforming their impact, collections and online presence. He has consulted for or managed over 500 digital projects, including digitisation of the Dead Sea Scrolls, and has built strategy with a wide range of organisations. These include many national libraries, museums and government agencies in Europe, Africa, America and the Middle East. Tanner has had work commissioned by UNESCO, the Arcadia Fund and the Andrew W. Mellon Foundation. He founded the Digital Futures Academy that ran in the UK, Australia, South Africa and Ghana with participants from over 40 countries.
Research Interests and PhD Supervision
I am Professor of Digital Cultural Heritage in the Department of Digital Humanities. I have particular research focus upon:
- The value and impact of the digital domain
- Open Access and Open Content
- Digitisation and digital cultures
- Economic, social and cultural informatics
- Sustainability and economic viability for digital collections in memory institutions such as libraries, archives and museums.
My areas of research with the strongest international impact are, first, the economic realities and Open Access/Content strategies for digital content in cultural heritage and second, the Balanced Value Impact Model. I have also carried out extensive research in digitisation working with partners in Africa (e.g. Archbishop Desmond Tutu) or projects such as the Dead Sea Scrolls imaging.
I am interested in PhD supervision which engages with these research themes and have supervised research engaged with digitisation in Africa, democratization, Open Access/Content, digital divides and impact plus memory, museums and digital imaging.
For more details, please see my full research profile.
I teach mainly on the MA Digital Asset and Media Management course.
The MA in Digital Asset and Media Management was launched in 2010. Since then it has gained Chartered Institute of Library and Information Professionals Accreditation and has a strong international cohort of students attracting at least 90-100 students per year. This MA responds to the growing demand for professionals who are familiar with the emerging digital needs of the broadcast, publishing, media and cultural heritage industries. Understanding the dynamic digital media landscape is key to developing new strategies and methods for creating and using digital media assets and will allow those working in these content industries to leverage their content in creative and innovative ways in the future.
Expertise and Public Engagement
Simon has written for the Guardian on academic matters, as well as appearing on TV, radio and other media.
Simon is available to discuss issues of digitisation, value and economics in the digital domain, Open Access/Content, the digital divide and digital cultures.
He has an active blog which gains over 75,000 views per year.
From 2003 – 2011 Simon was an Independent Member of the Government appointed Legal Deposit Advisory Panel and Chair of its Web Archiving sub-committee that led to the enabling regulations for UK web archiving.
Fukuyama, J. & Tanner, S., 2021, (Accepted/In press) In: Performance Measurement and Metrics. Research output: Contribution to journal › Article › peer-review. DOIs: https://doi.org/10.1108/PMM-09-2021-0049
Tanner, S., 13 Jan 2020, London: Facet Publishing. 280 p. Research output: Book/Report › Book › peer-review
Tanner, S. G., 7 Jan 2020 Research output: Non-textual form › Data set/Database
Tanner, S. G., 15 Oct 2017 Research output: Non-textual form › Digital or Visual Products
Gill, A. J., Hinrichs-Krapels, S., Blanke, T., Grant, J., Hedges, M. & Tanner, S., Jul 2017, In: Journal of the Association for Information Science and Technology. 68, 7, p. 1671-1686 16 p. Research output: Contribution to journal › Article › peer-review. DOIs: https://doi.org/10.1002/asi.23767
Tanner, S. G., 3 Mar 2017, Copyright and Cultural Memory: Digital Conference Proceedings.. Deazley, R. & Wallace, A. (eds.). Zenodo, p. 77-90 Research output: Chapter in Book/Report/Conference proceeding › Conference paper. DOIs: https://doi.org/10.5281/zenodo.345342
Tanner, S., 15 Nov 2016, London: King's College London. 50 p. Research output: Book/Report › Report › peer-review. DOIs: https://doi.org/10.18742/RDM01-76
Tanner, S., 15 Nov 2016 Research output: Non-textual form › Digital or Visual Products
Tanner, S. G., Jun 2016, Europeana. 29 p. Research output: Book/Report › Commissioned report › peer-review
Tanner, S., Jun 2016, In: Library Leadership and Management . 30, 4, 15 p. Research output: Contribution to journal › Article › peer-review