Professor Ginette Vincendeau
Contact: ginette.vincendeau@kcl.ac.ukGinette Vincendeau’s research interests are in French cinema, especially popular genres (thriller, film noir, heritage, comedy) and stars, as well as European cinema. She is also interested in issues of film history, national identity, trans-national cinema and women's cinema. She is currently working on the cinematic representation of the South of France and envisages, in the longer term, to work on the representation of Paris in the cinema and on French film noir.
Background
Chevalier de l'Ordre des Arts et des Lettres, 1998, for services to French culture
Previously Professor of Film Studies at the University of Warwick, UK
Visiting Professorships: Ecole Normale Supérieure, Paris (2004); Université de la Sorbonne Nouvelle, Paris III (1997)
Selected Publications
La Haine, London: I.B. Tauris, 2005
Jean-Pierre Melville, 'An American in Paris', London: BFI, 2003
Film/Literature/Heritage, A Sight and Sound Reader (ed.), London: BFI, 2001
Stars and Stardom in French Cinema, London and New York: Continuum, 2000 and 2005
Pépé le Moko, BFI Film Classics, London: BFI, 1998
The Companion to French Cinema, London: Cassell/BFI, 1996
The Encyclopedia of European Cinema (ed.), London: Cassell/BFI, 1995
Anatomie d'un mythe: Jean Gabin (with Claude Gauteur), Paris: Nathan, 1993 and 2006
20 ans de théories féministes sur le cinéma, Grande-Bretagne et Etats-Unis (co-edited with Bérénice Reynaud), CinémAction- Corlet, 1993
Popular European Cinema (co-edited with Richard Dyer), London and New York: Routledge, 1992
French Film, Texts and Contexts (co-edited with Susan Hayward), London and New York: Routledge, 1990
Other Work
Regular film reviews for Sight and Sound, BBC Radio 3, Radio 4 and the BBC World Service.
Commentaries and introductions for DVDs of L’Armée des ombres, Le Cercle rouge, Le Samouraï, Léon Morin prêtre, Le Doulos, L'Année dernière à Marienbad, Le Corbeau
Graduate and Undergraduate Teaching & Supervision
PhD topics supervised have included: filmmakers (Chantal Akerman, Chris Marker, Jules Dassin); stardom in different national contexts; aspects of national and transnational cinemas (French primarily, but also Belgian, Turkish, Argentine, Mexican, Greek), the relationship between French cinema, British cinema and Hollywood, film criticism in France.
